But whenever Phillips was asked who his favorite was, he had one answer. It was early in Phillips’ studio career, which would include Elvis, Jerry Lee Lewis, Johnny Cash, Little Junior Parker, Carl Perkins, Rufus Thomas, and dozens of the most influential, dynamic and innovative musicians of all time. Phillips recorded Wolf for Julius and Lester Bihari’s Los Angeles-based RPM Records and Chess Records in Chicago. From there, it was just a bridge away from Beale Street and a little further up the road to 706 Union, where Howlin’ Wolf made his first recordings under the watchful eye of Sam Phillips in May 1951. He was soon expanding his audience over West Memphis’ KWEM. So long, farewell, auf wiedersehn, goodbye.Wolf ran his band with military toughness, even forbidding drinking, rare in a blues band.Talkin' baseball (willie, mickey & "the duke").during the closing fade of what song does steve miller call out: 'somebody get me a cheeseburger'?.morris's bbq and steakhouse, starkville, ms.white man in hammersmith palais interpretation.waitresses - i know what boys like - mp3.Light author of Grits ain't groceries-BBQ langford barn dance favorites blogurl:.press eject and give me the tape blogspot.fred frith traffic continues 2000 blogspot.what ever hapened to tennessee ernie fords son brian. nuggets: a classic collection from the psychedelic sixties.wire "pink flag" field day for the sundays.closing of harvard university press display room in harvard square.history of cottrell street west point, ms.what is the name of the song that goes like mi crooked letter crooked letter i hump back hump back i.There will be much more of Wolf's story in West Point and environs here later this summer and at Perfect Sound Forever as an intro to my coverage of the 11th Annual Howlin' Wolf Memorial Blues Festival coming up the Friday of Labor Day weekend. White Station, looking SW towards West Point Now they do so again through a rails and trails revitalization project. Back then, the tracks also formed a walking path from White Station to West Point and even the world beyond long before any sort of paved road existed. You can just imagine growing up in White Station nigh the tracks and hearing the night train roar through regularly with horn's ablarin'. Like that other famous Mississippi musical legend, Jimmy Rodgers, trains played a great role in Wolf's early years and young adulthood and had a profound effect on his imagination. He ran into town on the railtracks and then hopped a train to Ruleville, where his father worked.ĭismuke's and train tracks (left Ruleville right White Station) Ferdinand Sykes' joint is still in decent enough repair as compared to the abandoned Roxy's Juke out in White Station.Īlong Cottrell, Wolf also played on the second floor gallery of Annie Garth's house and at Dismuke's, a joint he passed when running away at 13 from the house of his mean Uncle Will Young out in White Station. We drove through Cottrell Street, West Point's original African American business district, a 2–3 block stretch with multiple jukes, not dissimilar to Hanna Street in Indianola, home to the famous Club Ebony. He also heard Wolf play in Calvert's Alley just up the block. Burnett's car at his father's shop on Main Street (MS Highway 50). As a teen Ramsey often sold Wolf his hunting license and changed the tires on Mr. Yesterday I had the privilege of spending some of the morning in the company of Richard Ramsey, Program Director of the Howlin' Wolf Blues Society, native of West Point, noted raconteur and oral historian of the musical heritage of the Black Prairie (home to blues, rock, and country legends like Elvis, Wolf, and Jimmy Rodgers and truly one of America's prime musical crossroads!), and chief curator of the new Howlin' Wolf Blues Museum in the Friday House.
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